Written in the 1990s by American author Steven Gould, Jumpertells the story of Davy Rice as he escapes his tortured childhood to explore the world via teleportation and find his long lost mother. At seventeen the world is at your feet... especially if you can teleport. David Rice barely remembers his mother. She left his alcoholic father when Davy was very young. She left Davy too, and since then all of William Rice's abusive anger has been focused on his young teenage son. One evening, as he is about to receive another brutal beating, Davy shuts his eyes and wishes to be safe. When he opens them again, he finds himself in his small town's library. Slowly, he realises he is very special, he can teleport. Armed with his new power, Davy sets out with new purpose: he will leave his abusive home and find his long lost mother. Davy's confidence grows as his skills do, but they also draw unwanted attention and soon Davy finds that he too is hunted.

Jumper: Griffin's Story was written by Gould to compliment the 2008 film Jumper starring Samuel L Jackson. The novel explores the life of Griffin O'Connor as he uses his teleportation powers to hunt his parents' murderers. Rule One: Never jump where someone can see you. Rule Two: Never jump near home. Rule Three: Never jump to or from the same place twice. Rule Four: Only jump if you have, only if they find you. The first time it happened, Griffin O'Connor was only five years old; he jumped from the steps of the Martyr's Memorial in Oxford, in front of a busload of tourists. The second time it happened his family had to cross an ocean to protect his secret. But four years later Griff accidentally broke his parent's rules and jumped again. That night the men from Oxford found them, and by morning his parents had been murdered, leaving Griff alone, wounded and only nine years old. Griffin grows up with only two goals: to survive, and to kill the people who want him dead. And a Jumper bent on revenge is not going to let anything stand in his way.

Provides in-depth tangible results from actual work undertaken in these innovative fields, in prolonged collaboration with the industry partners Includes real projects and case studies developed by the authors

Provides in-depth tangible results from actual work undertaken in these innovative fields, in prolonged collaboration with the industry partners Includes real projects and case studies developed by the authors

Contents:
Forward. Preface. Part I: Abuse in Context: The Conceptual Framework. Abuse: The Trauma Model. Family: Beyond the Trauma Model. Alone: Growing Up in an Ineffective Family. Unprepared: The Legacy of an Ineffective Family Background. Impact: Intersecting Varieties of Abuse and Deficient Family Context. Society: Beyond Family Context. Part II: Treatment in Context: Foundations of the Therapeutic Model. Collaboration: Forming a Therapeutic Alliance. Conceptualization: Constructing Order from Chaos. Planning: Prioritizing Treatment Goals. Part III: Skills-Based Intervention: Implementation of the Therapeutic Model. Security: Managing and Modulating Distress. Focus: Fostering Experiential Presence and Continuity. Reasoning: Learning to Exercise Critical Thinking and Judgment. Coping: Breaking and Replacing Maladaptive Patterns. Liberation: Resolving the Trauma of Abuse. Transformation: The Miracle of Living Well. Part IV: Conclusion. Epilogue: The Inextricable Tie. References.

How is an individual to lead a comfortable, productive existence when he or she was never taught the skills necessary for effective living? Adult survivors of child abuse often face this dilemma. Instead of being nurtured as children and taught life-skills by their caregivers, child abuse survivors were subjected to a daily regimen of coercive control, contempt, rejection and emotional unresponsiveness. It is not surprising, therefore, that many survivors encounter difficulty adjusting from this type of damaging childhood atmosphere to one in which they have autonomy. This book addresses the particular problems associated with treating adult survivors of child abuse. Until now, psychotherapy for child abuse survivors often centered on the trauma of their abuse experiences. However, survivors frequently reveal a history suggesting it was not abuse trauma alone that created their difficulties, but growing up essentially alone - without the consistent emotional support and guidance needed for development of effective functioning. This book presents an alternative to trauma-focused treatment that, though effective for treatment of other forms of trauma, can induce deteriorated rather than improved functioning in survivors of prolonged childhood maltreatment. The contextual therapy presented in Not Trauma Alone delineates a psychotherapeutic approach that emphasizes helping survivors develop the capacities for effective functioning that were never transmitted to them during their formative years. Detailed descriptions of the methods and interventions comprising contextual therapy are included in this critical book for all mental health professionals, clinicians, academics, and students in the field.

Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time.

Bringing together fifty years of exciting modernisms, The New Anthology of American Poetry, Volume 2 includes over 600 poems by sixty-five American poets writing in the period between 1900 and 1950. The most recognized poets of the era, such as William Carlos Williams, Ezra Pound, Wallace Stevens, T. S. Eliot, H. D., Gertrude Stein, Robert Frost, Marianne Moore, Hart Crane, and Langston Hughes are represented, along with many other Harlem Renaissance poets, women poets, immigrant and working-class poets, imagists, and objectivists. It is also the first modernist anthology to include poems and songs from popular culture.

This is a "biography of the imagination, " an inner narrative of Sylvia Plath's life and work. Combining psychoanalytical, feminist, and intertextual methods, Steven Gould Axelrod traces what Roland Barthes has called "the body's journey through language." After an introductory look at the roles played by language and silence in Plath's verbal universe, Axelrod explores the ways in which the poet's father -- and father figures, including male literary precursors -- interfered with her imagination even as they helped shape it. He describes Plath's ambiguous relations with her mother and with the two literary forebears who took the mother's place -- Virginia Woolf and Emily Dickinson. And he examines Plath's doubling relationship to her husband, describing how she eventually transferred her doubling impulse to her texts. Axelrod concludes by suggesting a link between Plath's discontinuous narrative of the double and her personal fate.

Sylvia Plath: The Wound and the Cure of Words offers illuminating and often revolutionary readings of all of Plath's major texts, including such poems as "Daddy" and "Three Women, " her novel, The Bell Jar, and her letters and journals. At once sympathetic and incisive, it offers a compelling account of Plath's creative drive and personal history.

This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Steven Gould's SF classic, "Jumper."

Davy can teleport. He first discovers his talent during a savage beating delivered by his abusive father, when Davy jumps instantaneously to the safest place he knows, his small-town public library. As his mother did so many years before, Davy vows never to go home again. Instead, he sets off, young and inexperienced, for New York City.
Davy gradually learns to use and control his powers, first for sheer survival in an environment more violent and complex than he ever imagined. But mere survival is not enough for Davy. He wants to know if his mother disappeared so completely from his life because she, too, could Jump. And as he searches for a trace of anyone else with powers like his own, he learns to use his abilities for more than escape and theft.
A young man with nothing to lose, and the ability to go anyplace he wants, can help a lot of people. But he can also make a lot of trouble, and sooner or later trouble is going to come looking for him. The one way Davy can think of to locate others who can Jump is to make himself visible to them, but if he does, the police will surely find him too.

Featuring stories to set the mind on fire, this 1994 World Fantasy Award-winning collection includes such tales as "In the Fullness of Time, " "Top of the Charts, " "The Chaff He Will Burn, " "Music of the Spheres, " "The Summer We Saw Diana, " and the title piece.

With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, Aldon Lynn Nielsen and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: * Major histories and genealogies of post-war poetry - from the language poets and the Black Arts Movement to New York school and the Beats * Poetry, identity and community - from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability * Key genres and forms - including digital, visual, documentary and children's poetry * Central critical themes - economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, Charles Bernstein and Claudia Rankine reflect on the craft and value of poetry today.